Jodie Langford comes out swinging with S.T.B.Y., a snarling blast of spoken-word punk chaos wired through Endoflevelbaddie’s pounding electro-industrial grit. Fueled by the venomous wit of John Cooper Clarke’s Twat, Langford spits razor-sharp lines with tongue firmly in cheek, taking aim at life’s petty annoyances and turning them into rallying cries. The beats throb, the hooks cut deep, and her delivery burns with sarcastic bite and raw fury.
S.T.B.Y. isn’t polite, it isn’t pretty—it’s punk, loud and unapologetic, marking Langford as a voice you can’t ignore.
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