Charm School’s Schadenfreude Ploy bristles with wiry tension and sardonic bite, a tightly coiled post punk eruption that feels both brainy and feral. Angular guitars scrape and jab over a restless rhythm section while Andrew Sellers delivers his lines with a half sneer half sermon urgency, dissecting technocratic delusions and the quiet thrill of collective collapse. It feels sharp, unfiltered, and alive in the mess of it all.
Schadenfreude Ploy does not just critique the chaos. It dances in it, dares it, and leaves a mark. Last Day Deaf approved.
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