
In We Are the Clock Ourselves Again, Bedolina, the new project from Ken Gould (formerly of The Keeners), dives headfirst into existential indie-rock with a brooding, philosophical edge. Produced by Miner Street’s Brian McTear and Matt Poirier, the track is drenched in an atmospheric tension that recalls the cinematic sprawl of The War on Drugs and the lyrical weight of Sharon Van Etten. Clock metaphors, societal disillusionment, and haunting instrumentation circle around each other like storm clouds.
This is music for the end of something—and maybe, just maybe, the beginning of something else.
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